Whenever I buy a book on New Zealand literature I check to see that it has an index, because otherwise it is useless as a work of reference. This is the mark of a good book.
Next, I check to see that I am in the index. This is the
mark of a very good book. Bill
Manhire’s Doubtful Sounds and Rachel Barrowman’s
Maurice Gee: Life and Work score highly. How, I wondered, would Judith
Dell Panny’s Let the Writer Stand:
the work of Vincent O’Sullivan fare?
Not too badly, I am happy to report.
It has an index. Good.
I am in it. Very good.
I turn to page 7 and OMG, Chapter One begins with a quote
from me nominating Vincent to become Poet Laureate in 2014:
What astonishes is the sustained vigour, wit, technical facility, emotional range and, increasingly warmth. … We have cerebral poets, amusing poets, inventive poets, political poets, sensitive poets – but no one else who does it all.
The other stuff I am reading is the winners of the Ockham
Book Awards, the artist formerly known as the Montana Book Awards and more
recently the NZ Post Book Awards. I know who the winners are. They don’t.
Too many books don't have an index. Two I've cursed over recently - not about NZ Lit, admittedly: Tony Molloy's 'thirty Pieces of Silver' and Colin James' 'New Territory'.
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