Dowland’s music is downbeat but/and as pure
as music can be. It is like high-country stream water without the giardia. It
has been used (or “referenced”) by Benjamin Britten in
his great Nocturnal
of 1964 and, more recently, Harrison
Birtwistle in his equally great “Night’s Black Bird” of 2004. Dowland is
pronounced Doland, hence his Latin title for one piece, “Semper Dowland, semper
dolens” (always Dowland, always doleful).
Which brings us to Mickey
Dolenz. The Monkees’ greatest hits collection Daydream Believer is playing now: the children have been
enthusiastic early adopters of Abba, the Beatles, the Mamas and the Papas, Te
Vaka, Nick Cave and Talking Heads, but I fear I have left it too late for the
Monkees. Still, they like this, with
Mickey singing:
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