The 86th in this occasional series of reprints from Quote Unquote the magazine is from the January/February
1994 issue. The seven-page feature “I Get a Kick Out of This” was a collection
of brief pieces by Brian Turner, Jacqueline Fahey, Owen Marshall, Elizabeth
Smither, Barbara Else, Colin Hogg, Iain Sharp, Nigel Cox, Mary-Louise Brown,
Brian Boyd and others – booksellers, painters, publishers, journalists –
writing about more cheerful stuff than most books magazines did at the time:
motorbikes, daughters, dogs, poker, haircuts, guitars, ice cream, roses,
science, shoes and more. The intro read:
There’s more to life than books. . . For a start, there’s chocolate. Here are another 20 of life’s extraordinary pleasures.
Yesterday was Barbara
Else on romance, aka lust. Today: Tim Wilson, who is now a novelist and TV star.
PRESS-UPS
Twice each week after night has fallen I retreat to my
bedroom, draw the blinds and spread-eagle myself on the floor. I check my
shadow to ensure my spine is perfectly straight. Then like the Big Bad Wolf I
huff and I puff. The house does not fall down. Instead, I descend and rise
above the carpet. I am doing my press-ups.
Don’t get me wrong. A press-up is not my idea of a thrill.
That I complete 160 of them each week must be the result of something –
personal vanity, I suspect. Yet the value of these physical jerks is almost
nil. Some men are built like brick outhouses; I am built like a corridor and I
rest too much between exercises to get that endorphin rush which fitness
junkies live for.
My rush comes when I take a break at number 60, and I am at
the mirror, T-shirt discarded. Suddenly I appear fuller. Swollen with excited
blood, my upper body looks like someone else’s, and I move close enough to the
mirror to crop out my face – that too is pumped up. I preen and strut. I affect
poses stolen from the inhabitants of aftershave commercials.
Inevitably, boredom overtakes me, so I hunch. Thrusting my
stomach out obscenely, I conduct salacious experiments with my image. I permit
my ruddied face to enter the glass. Do I look a fright!
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