Over the past dozen or so years, television and movie-makers have managed to blur the border between fact and fiction to an unprecedented degree. They pretend increasingly that their film is based on a true story. Every device possible, from computer-generated imagery to place names and dates thrown onto the screen seek to suspend the disbelief of historically illiterate audiences. Alarmingly, the new technology has coincided with a dramatic growth in conspiracy theories. . .Guess he’s not a big Oliver Stone fan.
The home-produced movie Loose Change takes the ultimate conspiracy-theory approach to 9/11. It is now said to have been seen by more than 100m people on the internet. A few weeks ago, a leading Russian TV channel broadcast Loose Change to mark the anniversary of 9/11. The film was accepted as completely true by the presenters and the studio audience, who debated it in a three-hour prime-time programme.
Studies of internet sites reveal an unholy alliance between left-wing 9/11 conspiracy theorists, right-wing Holocaust deniers and Islamic fundamentalists. Many Muslims throughout the world now believe that no Arabs were involved in 9/11. Significantly, Islamic websites have also been learning from American creationists and have eagerly embraced their theory of intelligent design, which attributes the origin of life to a higher power and opposes theories of natural selection.
In a post-literate society where the image is king, the scope for mischief is almost without limit. I suspect that it will not be long before we see a Holocaust-denial movie. It could take the form of a Da Vinci Code-style thriller, and be packaged as straightforward entertainment. . .
It should be the duty of not just every scientist and historian, but also of every writer, publisher, movie-maker, TV producer and ordinary citizen to fight all attempts to exploit the ignorance and gullibility of audiences.
Monday, February 2, 2009
Secrets and lies
Antony Beevor, author of Stalingrad, Berlin and The Battle for Spain, is worried about the historical inaccuracy of so many recent films:
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