I was gazing at the latest issue of Metro, wondering why I had bought it
last week. I have mostly fond memories of working there two decades ago but
nowadays live quietly in the country and am in no way part of the magazine’s target
demographic, having little
interest in Ponsonby Road and none in fashion.
Why on earth did I fork out $9.90? Was it the cover photo starring Shavaughn Ruakere’s
bosom and Colin Madhur-Jaffrey’s cheekbones? Hardly. Was it the strap-on guide
to Auckland restaurants? No. Was it the promised story about “Women’s sex
tourism”? Thrice no.
Then I turned to the books pages and saw
that Paul Litterick has
contributed a review. Yes! That’s why I bought it. Also recommended: Susanna
Andrew on Stephanie Johnson’s new novel The
Open World, and three pages on Emily Perkins and The Forrests. Excellent. I have my $9.90’s worth.
A friend in the sunset industry that is the
print media tells me that media gossip has it that the photo-shoot for the
cover of this issue was a bit fraught. Close inspection reveals… well, see for
yourselves at the supermarket but it seems quite possible, if only on the
evidence of the level of detail of her earrings and his collar, that Ms Ruakere
and Mr Madhur-Jaffrey were photographed separately. The photo credits list the
shoes both are wearing (him: Zambesi; her: Andrea Biani) though no shoes are visible
in the photo. Credit where it’s due, I suppose.
My friend, who like so many of us is baffled
as to what Mr Madhur-Jaffrey does (“What is he good at, exactly?” she asks), reports that last Thursday a certain women’s magazine she works at had some
cupcakes delivered and on top of each one was the image of his face or, as she
put it, “Colin on icing”. It was a promotion for the TV show NZ’s Hottest Home Baker for which the
judges are professional baker Dean
Brettschneider, pudding professional Julia
Crownshaw and. . . model/actor/whatever
Mr Madhur-Jaffrey. You know it makes sense.
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